Individual biographies

Mark Dobell (tenor)

 

I was always into music - the usual school choirs, school orchestras, and so on - and was a very keen trumpeter, though I never saw myself going down that route full time. However, it was almost a spontaneous thought to give singing a go and, without perhaps realising the course I was setting out on, I managed to gain a choral scholarship to St John's College, Cambridge, where I read history. In fact it was a good thing that I got a choral award, as my A level results were so bad that no other university would have accepted me. Still, I very much enjoyed the work (honest!), specialising in American history and ended up with a respectable degree.

After that I undertook a post-graduate certificate in education, which sadly illustrated to me that I was not cut out to be a teacher, and then post-graduate vocal studies at the Guildhall School of Music and Drama in London. Since then I have been singing full time and enjoying it for almost all the time. I have been lucky enough to work with some excellent groups (Monteverdi Choir, Taverner Consort, Tallis Scholars, Gabrieli Consort) and some top-rate conductors, and have also done my fair share of solo work around the world. Singers are a moaning bunch - have you noticed how they complain when they have too much work, as well as when they have too little? - but we have a pretty amazing time when you think about it. How many other people get paid to travel to some extraordinary places and then do something which they would probably be doing as a hobby if they weren't do it professionally?

 I do a fair amount of the day to day administration for the group but crucially Don handles all matters connected with the accounts, a task for which I have neither taste nor aptitude. While there is inevitably a certain amount of drudgery, I do enjoy researching new programmes - there can be a frisson of excitement when you hit on an idea that you know is going to work and then set about assembling the music to match. Perhaps our 'Food' project is a good example of this as a small idea that branched out in so many fascinating musical, historical and culinary directions!

 In the last year I have been given opportunities to indulge my interest in designing and delivering programmes in new and very exciting directions. In September 2009 I joined the Oundle International Festival (www.oundlefestival.org.uk) as their Creative Projects Associate, working with a specific brief to develop new projects that would have education and community applications, thereby allowing new audiences to appreciate and participate in classical music. Then in August 2010 I took up an appointment as Artistic Director of 'Music in the Round', a Sheffield-based organisation that promotes chamber music on a regional and national basis (www.musicintheround.co.uk). Having always thought of myself as being first and foremost being a 'chamber musician' I feel that I already have a strong affinity with MitR's ambitions to develop an appreciation of all the potential manifestations of this musical genre, from what might be described as standard classical repertoire through to wider and even more liberating interpretations that touch on numerous and diverse repertoires.

With access to modern technology I can do a significant amount of this work from home, at least when I am not being pulled in different directions (figuratively and literally) by my two daughters, Hannah and Megan. Now getting close to teenage years they have pretty eclectic musical tastes, even if they wouldn't readily admit to liking the Orlando's repertoire. However, I managed to sneak a few Orlando tracks on to their ipods before they realised what was happening and they don't (normally) fast forward through them when they come up in the shuffle mode!

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What am I listening to?

You are listening to Ave mundi rosa, a piece from the fourteenth-century, typically English in its use of sweet parallel harmonies. It is the latest in our ongoing series of recordings for Hyperion, a survey of English choral music from the late thirteenth to the early fourteenth centuries. You can hear more on the Hyperion website, read the engaging liner notes, and order or download tracks or the entire album in a number of formats.